Showing posts with label motown. Show all posts
Showing posts with label motown. Show all posts

Friday, October 17, 2008

A SAD DAY IN THE MUSIC WORLD and here at PAPA DO RUN




LEVI STUBBS

June 6, 1936 - October 17, 2998









The Motown legend and lead singer of The Four Tops (photo front) died peacefully in his sleep today, at his home in Detroit. His soulful voice warmed Tops hits like "Sugar Pie Honey Bunch" "Reach Out, I'll Be There" and my personal favorite, the 1964 hit "Baby I Need Your Loving." Back then I was a junior in high school, looking forward to my senior year and then to graduating. Now, so many years later, it's hard any time we lose one of the classic greats, but this one really knocked be back when I read about it. It's not only the loss of a talented musician, but I think it puts all us baby boomers in touch with our own mortality. Our class is beginning to graduate in a different sense of the term. Well, that's the way it always goes. And now it's time to say good-bye to Levi, with thanks for all the music.








Video by YT member HauntedStudios
Photo from blackamericans.com

Monday, August 18, 2008

PASSING OF ANOTHER LEGEND

With regret I have to report on another passing, this time it’s an original member of Detroit’s own Spinners – Pervis Jackson. While the Spinners have been around since the 50s, and had their biggest success with a string of soulful hits in the 70s, my favorite song splits the difference, the 1966 heartbreaker, “Truly Yours.” The lead singer for this one was, I believe, Bobbie Smith, and Pervis Jackson sang bass. Mr. Jackson died in Detroit at the age of 70. Here’s thanking him for the music!






Vid from YT member pieroangelo1

Saturday, August 9, 2008

MOTOWN SUPREMACY!

Okay, I’m from Detroit originally, so naturally I think Motown rules, but you have to admit, the sound is a staple and still making new young converts all over the globe. I have my favorite artists and groups just like everyone else, and for me, as far as the Supremes go, it’s the earlier the better. Here’s a little number that dates back to their 1962 debut album, Meet the Supremes. It’s also the first song they recorded as a trio (Diana, Flo, Mary) after the other original member, Barbara Martin, left the group. The album didn’t perform as hoped, and none of the songs broke the top 40. Of course, things changed radically with their sophomore album, with “Where Did Our Live Go” shooting to numero uno. I have to say, with all the good tunes they had, this is still my favorite. I like the directness of the lyrics (written by Berry Gordy) and that cool-on-cool R&B strut. And to my ear it’s just a little less polished and produced. Here, have yourself a groove.

Friday, June 6, 2008

(I gush over our) FEATURE SONG: MIND OVER MATTER

If you look up “perfection” in the Doo-Wop Dictionary, you’ll find a picture of our feature song, “Mind Over Matter” by Nolan Strong. Nolan was born in 1934 in Alabama, but is claimed by Detroit, where he grew up and developed his singing career. In 1950, Nolan and Bob “Chico” Edwards formed the doo-wop vocal group The Diablos, and became one of the most successful groups for a Detroit pre-Motown era label, Fortune Records. Some of The Diablos’ notable recordings include “The Wind” “Daddy Rockin’ Strong” Since You’re Gone” and “The Way You Dog Me Around.” But for me, their absolute best recording (though only Strong is credited on the label) is “Mind Over Matter.” Strong’s mellow tenor and soaring falsetto will have you inching towards Replay before it’s even over.

The link below will give you the complete liner notes on a CD of hits by Nolan Strong and The Diablos. It goes into a lot of detail, so if you want the full meal deal, by all means have a read. But even if you don’t want to read the whole thing, do not miss scrolling all the way to the bottom where you can listen to the entire “Mind Over Matter” with excellent sound. And get your mouse ready.

http://www.lexjansen.com/fortune/diablos.htm

There now, wasn’t that just the very definition of doo-wop perfection?!







In case you can't access it with that link, here it is on YouTube. The sound isn't great, but at least you'll be able to check it out. http://www.youtube.com/watch?v=D5-grS-PjGg

Wednesday, April 23, 2008

THE TEMPTATION WALK

Of all the great talent to come from Motown, one of the best loved is The Temptations. They had a hit after hit over the decades, with several terrific lead singers, and gave the world a lesson on how to be cool to the 10th power. I’m talking about a series of moves that became known as the Temptation Walk. And what prime moves they were! I think anyone who looks at the old footage of the Tempts, and then compares it to what passes for cool today, will be won over in a heartbeat. And if you don’t dig what they are putting down, I’m afraid you may be soulfully DOA, my friend. Of course, being from Detroit, I may be just a teensy bit biased, but thanks to the posters at YouTube, you can easily watch and decide for yourself.

Here’s a classic from 1965, with David Ruffin on lead. Oh, baby, what a voice!

My Girl http://www.youtube.com/watch?v=8vdCLBM-RnY&NR=1

Their moves got so much attention, there was even made a song and a dance about it!

Temptation Walk http://www.youtube.com/watch?v=qKPqhvlq2Po

And finally, we can’t leave without this solo from David Ruffin…one of the great “love-pain” songs of all time! My Whole World Ended (The Moment You Left Me) http://www.youtube.com/watch?v=jw2uU5LSBN0


Tuesday, April 8, 2008

I WAX PHILOSOPHIC ABOUT MUSICAL TASTE, and FEATURE ARTIST COMMANDER CODY

Yesterday in the mail I got a CD I’d ordered: Lost in the Ozone by Commander Cody and his Lost Planet Airmen. Recently I’d been having a hankering to hear some of their music once again. You see, I had a CCLPA album ages ago, but like the rest of my old records, it got given away or left behind on one of my many many moves over the years. Once I reached my middle years, and had a bit more discretionary income, I started gradually replacing the music of my youth, but the question remains – what nameless stuff could my younger self possibly have thought was more important than music, no matter what the effort to pack and schlep involved? If memory serves, I had a pretty eclectic (and no doubt now highly collectible) survey of the 60s and 70s. The Beach Boys, Sonny and Cher, Marvin Gaye and all the Motown gang, Janis Joplin, Jefferson Airplane, The Who; all those “first edition” British Invasion Beatles and Stones. Then there was The Moody Blues, Buffy Saint-Marie, Dylan, Baez, Peter Paul and Mary. And Delaney and Bonnie, CCR, Jethro Tull – the list goes on and on.

Everything is now being replaced with CDs, and the occasional LP – well, almost everything. I can remember grooving to Alice Cooper and Yes, among others, but I won’t likely replace those now. Not because I don’t think they’re good anymore. If I hear them on the radio, I still listen. But…why is it that some music seems to be more frozen to a specific time and place and the people we were back when, while some music grows old right along with us? I don’t know the answer to that one, but if you do, please, step up to the mic (so to speak).

Here’s a nice little two-fer from Commander Cody and the boys. The band (who hailed from Ann Arbor – and you know what a Michigan booster I am!) gave us a unique mix – a little rockabilly, a little country, a little blues, a little boogie, just about whatever ya got. These two are favorites of mine. Classic “tear in the beer” songs? Maybe (the only thing that didn’t happen was his dog didn’t get run over...but died of natural causes I guess) but I dare you to listen and not be even a little touched. I still occasionally use the eminently descriptive term “seeds and stems” even though my weekend hippie days are long behind me. http://www.youtube.com/watch?v=Itaz8yNPe1k

A little refresher for those who may need it: The song "What Made Milwaukee Famous" is a reference to an old Schlitz beer commercial, known as "The beer that made Milwaukee famous." And, "seeds and stems" refers to the undesirable dregs of a baggie of marijuana, after the choice leaves have all gone (literally) up in smoke.

Monday, February 25, 2008

KNOCK KNOCK (who's there?) THE WHO (who?) NO...THE WHO (what?) NEVER MIND (no wait wait, I get it...The Who who!) FORGET IT (aw c'mon, start over)

About two years ago I had this great idea for a new show in the CSI series. I wrote down the description of it, and figured I’d send it to Jerry Bruckheimer. I was sure he’d like it so much he’d decide to do it right on the spot. This isn’t the first time I’ve had an idea along these lines. I also dreamed up (literally) an amazing sequel for Dances With Wolves. But that’s another story. I bet all you clever people out there have ideas for TV show episodes and movies, too. I’m sure you have chicken-scratch notes and synopses written on the backs of bar napkins and wrinkled old envelopes all over the place. But, if you’ve ever tried to actually contact the bigwigs about it, you found that you quickly ran into a big legal firewall. The truth is, no matter how brilliantly terrific your idea is, nobody wants anything to do with it. Why not? Because of the money, honey. You see, if you sent Kev or Jerry or whoever anything unsolicited, from that napkin to a full script, and they read it, but they happen to already be working on something similar, or were about to be thinking about working on something with even the teensiest faintest wildest stretch-of-the-imagination reference to something in your scrap of paper, then you could sue them for stealing your idea. And it’s a safe bet this kind of thing isn’t “hypothetical” either. I’m sure it’s happened enough times before, and some big names got financially burned. Hence the firewall. The fact that you may not be in it for the money; that all you may want is the bragging rights within your small circle of friends won’t be enough to get you an audience. If you don’t believe me, go to Jerry B’s website and read the notice.

Anyway, no one says I can't share my idea with all y'all out there in Cyberland, right? So, I think Detroit/Windsor would make a great CSI franchise. These two are the Twin (international) Cities of the Great Lakes. It could be like Due South, but with grit. Think about it, you’ve got potential for all kinds of episodes: the usual crimes, drugs and intrigue in a city famous for the Purple Gang and the Jimmy Hoffa. On the contemporary end there’s the huge annual auto show (fast cars) big casinos (on both sides of the border), and its own Indy Grand Prix. You could do a lot with cross- border smuggling, homeland security, illegal immigration. There’s lots of interesting ethnic populations from all over the globe, plus a First Nation reserve in the area. What’s not to love? I think the Motor City and the Rose City (Windsor’s nickname) could easily hold their own against the CSI’s in LV, Miami and NY. Can’t you just see someone like Ray Liotta (like he was in Narc) or Michael Madsen (Mr. Blonde in Reservoir Dogs...okay you’re right, that one’s a bit extreme) and maybe Mekhi Phifer (if we can steal him away from ER) as an over-the-edge cop and forensics team? And add to it their Canadian connection, maybe that hunky Chris William Martin from Tom Stone, and Tom Jackson from North of 60. Am I right or am I right?

Well, all we need now is a theme song. That could be a bit troublesome. Of course, tradition dictates that every CSI show has to have a Who song. I like the last 50 or so seconds (2:17 in the video below) of “The Kids Are All Right” – perfect for a troubled burned-out cop who sometimes just has to get away. Or how about that verse about the clenched fist (2:19) in “Behind Blue Eyes.” Yeah, that’d work. But we might prefer to use something more geographically correct. No trouble finding the goods locally, either old school (classic Motown, like Marvin Gaye’s “What’s Goin’ On”) or new (Eminem’s “Lose Yourself”). Oh, I think this could be really big, people! Ah, but it will never happen; not unless somebody behind the wall is already thinking it up. As for me, I threw that scribbled old phone bill envelope away a long time ago. Anyway, here's the song candidates. You can imagine the plot line.

The Kids Are All Right - The band lip sync-ing, and probably given the telltale lack of electric cords, sync-ing everything. http://ca.youtube.com/watch?v=rmowtt9vhLY

Behind Blue Eyes - http://ca.youtube.com/watch?v=hA99_zHoeEg

What's Going On - http://ca.youtube.com/watch?v=3VtaVXZMu-s

Lose Yourself - Generally speaking, I'm not into rap or hip-hop. It's just not my generation, and quite frankly, many of the lyrics make me blush. But I like this one, the main song from Eminem's semi-biopic, 8 Mile. Everybody can relate to the theme, and the language is surprisingly tame...what can I say, I'm a big square. Cool shots of my old home town, BTW.
http://ca.youtube.com/watch?v=d6odzCYFOOQ

Friday, October 26, 2007

KISMET - THE STORY OF A GIRL AND HER CAR


Those of you who have read my book, Papa Do Run, may recall a section about car songs, and the significance of cars to baby boomer teenage culture. Teens nowadays may think it's the same thing, and I'm sure cars are important to them, too, but not like they were to us. For one thing, kids these days have social lives completely unknown to their parents; they come and go as they please (often in their own cars) with so many more places to go. Plus they seem to have a lot more money to spend when they get there. Back in my day, cars ("borrowed" from our parents) were just about the only place we could be, if briefly, on our own, away from parental supervision. All we needed was to scrape together some change for gas. In a car, we could finally be ourselves, hang out with our girlfriends, cruise around and check our trap line of drive-ins. Or be with our boyfriends, who were all driving their parents' car. I can only think of one guy I knew in my high school who has his own car. It was a sweet little red 'vette, and because he was the older brother of one of my best friends, I occasionally got a ride in it. But it never occurred to me to try for a car of my own. And by the time I grew up and went out into the real world, and did acquire my own wheels, I somehow never drove anything cool. It's been one long boring series of beaters, minivans, and pickups. Even when I reached the age when most people have their mid-life crisis, I didn't go out and buy myself a sporty car. But then one day, when I was in my late 50s, I was talking with a neighbor, and everything changed. That day, quite by accident, I learned that my neighbor was buying a vintage Mustang. And he wasn't keeping it for himself, either. He was just going to buy it and flip it. To make a long story short, he flipped it to me. As soon as he told me about it that day, I knew instantly that this car was meant for me. Here's the amazing details.

My pony rolled off the assembly line in Dearborn, Michigan in 1965, the same year I graduated from high school, in Detroit. Maybe even on the same day, who knows. The Mustang was designated for Ford Canada, so it immediately crossed the border and began its journey westward. A few years later, I too crossed the border and began moving west. Eventually, the Mustang ended up in a charming little place called Saltspring Island, in British Columbia, and I ended up in High Country, in the Alberta foothills, near some neighbors who also spent time on...Saltspring Island. So that is how I knew we were meant to be together, my little pony and me. I mean, think about it: we both made journeys over many miles and many years, far from our common point of origin, finally to be reunited at long last. And recently I moved from Alberta to Ontario, not far from the Windsor/Detroit border. Maybe one day I'll take it for a drive by the old Ford plant, where it all began.

Well, there you have it, the whole heart-warming story. Didn't it just about make you tear up? Okay, maybe not. Whatever - now it's your turn now. Give us the scoop on your best/worst/weirdest etc vehicle.

p.s. The color is that distinctive Mustang shade officially called "Poppy Red" but I refer to it as "Go-To-Hell Orange." I've named the car (yes I'm one of those annoying people who give names to their vehicles!) The O.C. (as in Orange Crush). The music I played on my first official drive was the Beach Boys, "Don't Worry Baby," my fave oldie. Probably should have been some Motown, now that I think about it.